Creative E-MU 0202 Owner's Manual Page 62
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5 - Effects
List of Core Effects
62 Creative Professional
List of Core Effects
DSP Resource Usage
There are two main factors which determine the total number of effects available for use
at any given time: Tank Memory and DSP Instructions. Using too much of either
resource will cause effects to be unavailable (grayed out) in the FX menu. In addition,
the strips themselves use DSP Instructions, so only create strips that you actually need.
f Tip: Saving a session
“defragments” the effect/
DSP resources. If you
have used all your effects
and need another, try
saving the session.
Tank memory is the memory used by delay-based effects such as reverb and digital
delays. All the reverbs and delays aside from the Mono Delay 100 and Stereo Delay 100
use varying amounts of tank memory.
The DSP instructions are used by all the effects. Effects with multiple stages, such as
multi-band EQs or the speaker simulator use more DSP instructions than a 1-Band EQ.
Tank memory tends to get used first, and so we’ve provided many delay line effects to
allow maximum conservation of this precious resource. Use only the longest delay you
actually need.
The chart below shows three possible effects combinations. These were created by using
up the reverb resources first. Even more simultaneous effects are possible if fewer reverbs
and shorter delays are used.
Stereo Reverb Rotary Mono Delay 250
Lite Reverb Phase Shifter Mono Delay 500
RFX Compressor Frequency Shifter Mono Delay 750
Compressor Auto-Wah Mono Delay 1500
Reshaper Vocal Morpher Mono Delay 3000
gate 1-Band Para EQ Stereo Delay 100
Leveling Amp 1-Band Shelf EQ Stereo Delay 250
Chorus 3-Band EQ Stereo Delay 500
Flanger 4-Band EQ Stereo Delay 750
Distortion Multimode EQ Stereo Delay 1500
Speaker Sim Mono Delay 100
Examples of Effects Usage
(with a WAVE, ASIO Return & 2 Inputs)
Example 1 No. Example 2 No. Example 3 No.
Stereo Reverb 2 Lite Reverb 5 Stereo Reverb 1
4-Band EQ 4 3-Band EQ 5 Lite Reverb 2
3-Band EQ 2 1-Band EQ 4 Stereo Delay 1500 1
1-Band EQ 6 Compressor 1 Mono Delay 250 1
Compressor 6 Mono Delay 1500 1 Compressor 6
Chorus 1 Mono Delay 250 1 Chorus 2
Mono Delay 1500 1 Auto-Wah 1 Flanger 2
4-Band EQ 3
3-Band EQ 3
Total Effects 22 Total Effects 18 Total Effects 21
- Owner’s ManualOwner’s Manual 1
- E-MU 1820 2
- - 1820 - 1212 2
- Digital Audio System 2
- Table of Contents 3
- Creative Professional 5 5
- Creative Professional 7 7
- 1- Introduction 9
- E-MU 1212M System 10
- E-MU 1820 System 10
- E-MU 1820M System 10
- 2 - Installation 11
- Connector Types 12
- Figure 1 Figure 2 13
- Figure 3 Figure 4 14
- AudioDock Owners only 15
- Rack Mounting the AudioDock 16
- Software Installation 17
- 18 Creative Professional 18
- 3 - PCI Card & Interfaces 19
- The 0202 Daughter Card 20
- The AudioDock 21
- Front Panel Connections 22
- Rear Panel Connections 24
- MIDI 2 In/Out 25
- EDI Connector (Card) 25
- The Sync Daughter Card 26
- 4 - The PatchMix DSP Mixer 27
- Mixer Window 28
- Mixer Block Diagram 28
- The Toolbar 29
- The Session 30
- Open Session 31
- Save Session 31
- Session Settings 31
- Using External Clock 32
- MIDI Settings 32
- Consumer 33
- Professional 33
- Input Mixer Strips 35
- Mixer Strip Creation 36
- Multichannel WAVE Files 37
- Insert Section 38
- From Left Input 39
- Recording 39
- Application 39
- Outboard Signal Processor 40
- Recording Playback 41
- 10203040506070 42
- E-MU Digital Audio System 43 43
- Trim Pot Insert 44
- Managing Your Inserts 45
- (Post-Fader Aux Sends) 46
- Pre-Fader Aux Send 47
- Post-Fader Aux Send 47
- Main Section 49
- TV Screen & Selectors 50
- Output Section 53
- 54 Creative Professional 54
- FX Insert Chains 56
- The Order of Effects 57
- To Import Core FX Presets 58
- FX Edit Screen 59
- Click here for Edit Menu 60
- Click here to Select Presets 60
- To Delete a User Preset 61
- To Rename a User Preset 61
- List of Core Effects 62
- Core Effects Descriptions 63
- Frequency 64
- Low Shelf Mid Band High Shel 64
- 4-Band EQ 65
- Auto-Wah 66
- Compressor 67
- Basic Controls 68
- Signal path = Stereo 69
- Feedback 70
- Freq Shifter 71
- Leveling Amp 72
- Early Reflections 73
- Reverberation 73
- 74 Creative Professional 74
- Phase Shifter 75
- Speaker Simulator 76
- Late Reverb 78
- Phoneme A 79
- Phoneme B 79
- Applications 80
- Parameters 81
- Level Meter 82
- Gain Reduction Meter 82
- Reshaper 83
- Multimode EQ 86
- Highpass 87
- Highpass -> Lowpass 88
- Highpass 88
- Band Pass 89
- Band Cut 89
- RFX Compressor 90
- Advanced Parameters 92
- Soft Knee 92
- Lookahead Delay 94
- Uncompressed Waveform 95
- Program-Dependent Release 95
- Short Release 95
- Longer Releas 95
- Max. Compression 96
- Creating a Ducker 97
- Example Settings 98
- E-MU Digital Audio System 99 99
- Creating a De-esser 100
- E-MU PowerFX 101
- Setup Cubase LE 102
- Delay Compensation 102
- Automating E-MU PowerFX 103
- 5 - Effects 104
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- E-MU E-Wire VST 106
- E-Delay Compensator 107
- Cubase VST or Cubasis 108
- PatchMix 108
- Grouping Tracks 109
- 110 Creative Professional 110
- Headphone 111
- Out is permanently 111
- 96kHz mode 111
- • ADAT Inputs 112
- • Line Inputs 2 and 3 112
- (2-chan ADAT) 113
- Line Inputs 1 & 3 enabled 114
- 6 - Using High Sample Rates 116
- Overview 116
- 116 Creative Professional 116
- 7 - Appendix 117
- SMPTE Modes of Operation 118
- SMPTE Background 119
- Why use SMPTE? 120
- Striping SMPTE 120
- Avoiding SMPTE problems 120
- Example SMPTE Connection 121
- MIDI Time Code (MTC) 122
- Word Clock In/Out 122
- SYNC CARD 123
- E-MU 1010 CARD 123
- Digital Mixer 123
- ADAT Optical 123
- Getting in Sync 124
- OutputInput 125
- Digital Cables 126
- Grounding 126
- Phantom Power 126
- Technical Specifications 127
- Specifications: 1820M System 128
- Specifications: 1820 System 130
- Specifications: 1212 System 133
- Dimensions & Weight 134
- Internet References 135
- Declaration of Conformity 136
- Compliance Information 137
- 138 Creative Professional 138
- Numerics 139
- 140 Creative Professional 140
- 142 Creative Professional 142
- 144 Creative Professional 144
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