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6 - Using High Sample Rates
Overview
E-MU 1820M/1820/1212M PCI Digital Audio System 111
6 - Using High Sample Rates
Overview
When operating at 88.2k, 96k, 176.4k and 192k sample rates, the mixer functionality
and number of I/O channels are reduced. These changes are summarized in the
following tables. All S/PDIF inputs and outputs are disabled at 176.4kHz and192kHz.
The number of ADAT channels also decreases at the 88.2k/96k and 176.4k/192k sample
rates (due to the bandwidth limitations of the optical components).
When using 88.2kHz, 96kHz, 176.4kHz or 196kHz sample rates:
The ADAT optical interface was originally designed to carry 8 channels at a 48kHz
sample rate. We use the Sonorus® S/MUX™ standard to encode audio with higher
sample rates onto the ADAT light pipe. In this multiplexing scheme, two ADAT channels
are used to carry one 88.2k or 96k stream and four ADAT channels are used to carry one
176k or 192k audio stream. In order to use the ADAT interface at these higher sample
rates, you must have other equipment that supports the Sonorus S/MUX standard.
E-MU 1820 System at 88.2k/96k (1010 PCI Card & AudioDock)
All outputs remain active at 88.2k/96k, but the number of ADAT channels is reduced
from eight to four (see above). There are two possible input configurations when using
the E-MU 1820 system at 88.2k/96k as shown in the chart below. Basically, you have the
option of using the (4) ADAT input channels or (4) Line Inputs (Line Inputs 2 and 3).
At 88.2kHz/96kHz the headphone output parallels the Monitor output and is no longer
independently assignable.
• Effect processors are disabled.
(Output sends & returns are still available.)
• ADAT is reduced to 4 chan. at 88k/96k, & 2 chan. at 176k/192k.
• ASIO channels are reduced to 8 stereo ASIO channels at 88k/96k,
and 4 stereo ASIO channels at 176k/192k.
• At 176.4k/192k, the number of physical inputs/outputs is reduced.
• At the 176.4k & 192k sample rates, S/PDIF optical is disabled.
E-MU 1820 Inputs/Outputs at 88.2kHz or 96kHz
Source
Inputs
(ADAT Option)
Inputs
(Line In Option)
Outputs
ADAT 4 0 4
S/PDIF 1 2 2 2
S/PDIF 2 2 2 2
Microphone 2 2 -
Line 1 2 2 2
Line 2 0 2 2
Line 3 0 2 2
Line 4 out (monitor) - - 2
Headphone out - - 2 (monitor)
Total
12 12 18
E Note:
Headphone
Out is permanently
linked to Monitor Out in
96kHz mode.
- Owner’s ManualOwner’s Manual 1
- E-MU 1820 2
- - 1820 - 1212 2
- Digital Audio System 2
- Table of Contents 3
- Creative Professional 5 5
- Creative Professional 7 7
- 1- Introduction 9
- E-MU 1212M System 10
- E-MU 1820 System 10
- E-MU 1820M System 10
- 2 - Installation 11
- Connector Types 12
- Figure 1 Figure 2 13
- Figure 3 Figure 4 14
- AudioDock Owners only 15
- Rack Mounting the AudioDock 16
- Software Installation 17
- 18 Creative Professional 18
- 3 - PCI Card & Interfaces 19
- The 0202 Daughter Card 20
- The AudioDock 21
- Front Panel Connections 22
- Rear Panel Connections 24
- MIDI 2 In/Out 25
- EDI Connector (Card) 25
- The Sync Daughter Card 26
- 4 - The PatchMix DSP Mixer 27
- Mixer Window 28
- Mixer Block Diagram 28
- The Toolbar 29
- The Session 30
- Open Session 31
- Save Session 31
- Session Settings 31
- Using External Clock 32
- MIDI Settings 32
- Consumer 33
- Professional 33
- Input Mixer Strips 35
- Mixer Strip Creation 36
- Multichannel WAVE Files 37
- Insert Section 38
- From Left Input 39
- Recording 39
- Application 39
- Outboard Signal Processor 40
- Recording Playback 41
- 10203040506070 42
- E-MU Digital Audio System 43 43
- Trim Pot Insert 44
- Managing Your Inserts 45
- (Post-Fader Aux Sends) 46
- Pre-Fader Aux Send 47
- Post-Fader Aux Send 47
- Main Section 49
- TV Screen & Selectors 50
- Output Section 53
- 54 Creative Professional 54
- FX Insert Chains 56
- The Order of Effects 57
- To Import Core FX Presets 58
- FX Edit Screen 59
- Click here for Edit Menu 60
- Click here to Select Presets 60
- To Delete a User Preset 61
- To Rename a User Preset 61
- List of Core Effects 62
- Core Effects Descriptions 63
- Frequency 64
- Low Shelf Mid Band High Shel 64
- 4-Band EQ 65
- Auto-Wah 66
- Compressor 67
- Basic Controls 68
- Signal path = Stereo 69
- Feedback 70
- Freq Shifter 71
- Leveling Amp 72
- Early Reflections 73
- Reverberation 73
- 74 Creative Professional 74
- Phase Shifter 75
- Speaker Simulator 76
- Late Reverb 78
- Phoneme A 79
- Phoneme B 79
- Applications 80
- Parameters 81
- Level Meter 82
- Gain Reduction Meter 82
- Reshaper 83
- Multimode EQ 86
- Highpass 87
- Highpass -> Lowpass 88
- Highpass 88
- Band Pass 89
- Band Cut 89
- RFX Compressor 90
- Advanced Parameters 92
- Soft Knee 92
- Lookahead Delay 94
- Uncompressed Waveform 95
- Program-Dependent Release 95
- Short Release 95
- Longer Releas 95
- Max. Compression 96
- Creating a Ducker 97
- Example Settings 98
- E-MU Digital Audio System 99 99
- Creating a De-esser 100
- E-MU PowerFX 101
- Setup Cubase LE 102
- Delay Compensation 102
- Automating E-MU PowerFX 103
- 5 - Effects 104
- 104 Creative Professional 104
- E-MU Digital Audio System 105 105
- E-MU E-Wire VST 106
- E-Delay Compensator 107
- Cubase VST or Cubasis 108
- PatchMix 108
- Grouping Tracks 109
- 110 Creative Professional 110
- Headphone 111
- Out is permanently 111
- 96kHz mode 111
- • ADAT Inputs 112
- • Line Inputs 2 and 3 112
- (2-chan ADAT) 113
- Line Inputs 1 & 3 enabled 114
- 6 - Using High Sample Rates 116
- Overview 116
- 116 Creative Professional 116
- 7 - Appendix 117
- SMPTE Modes of Operation 118
- SMPTE Background 119
- Why use SMPTE? 120
- Striping SMPTE 120
- Avoiding SMPTE problems 120
- Example SMPTE Connection 121
- MIDI Time Code (MTC) 122
- Word Clock In/Out 122
- SYNC CARD 123
- E-MU 1010 CARD 123
- Digital Mixer 123
- ADAT Optical 123
- Getting in Sync 124
- OutputInput 125
- Digital Cables 126
- Grounding 126
- Phantom Power 126
- Technical Specifications 127
- Specifications: 1820M System 128
- Specifications: 1820 System 130
- Specifications: 1212 System 133
- Dimensions & Weight 134
- Internet References 135
- Declaration of Conformity 136
- Compliance Information 137
- 138 Creative Professional 138
- Numerics 139
- 140 Creative Professional 140
- 142 Creative Professional 142
- 144 Creative Professional 144
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